bubble clocks opens with the sublime talking proud beautifully built around a vocal sample from one of jazz s undisputed greats, nina simone. the title track bubble clocks is over 9 minutes of dream psychedelic bass music. turn on, tune in, bliss out. punchlines is a rave/bass crossover peak time bomb, and output, the closing track is 10 minutes of totally individual vision, taking a convoluted idea and teasing it out in all its permutations. a major talent in the making who has been showing promise, delivers on this ep.

damian lazarus signs another classic from the enigmatic drumtalk, a revered producer who brings in the sublime singing talents of josa peit, signed to brandt brauer frick’s label for the invigorating and anthemic lose again. championed by gilles peterson, seth troxler, midland & huxley of late and attracting a large, loyal and diverse following from james holden and skream, wildcard shows drumtalks sinister sneer, a techno weapon shooting to kill. gamma makes playful experiments with sounds to great effect, a unique and eloquent record that sways with grace.

distant echoes is back with his second ep for dystopian – blending pounding precision with shady noisescapes and sublime melancholia.

with proud and extreme enthusiasm l atelier & ghetto chords are sharing their dream. their own amsterdam based record label just edits. the first just edits release is brought to you by one of the founders of this label, ghetto chords. on this 4 tracker you can find the true signature sampled house sound of ghetto chords complimented by a driving, more b-boy ghetto tech oriented remix of kid sublime. everything today, basically, is just an edit.

volupso 4 sees alboratory label boss dimitri monev enter the fray with two equally sublime tracks. both tracks envisage the style and sound of dimitri progressing through sounds and beats to a deliver a clinical freshness for volupso. both tracks are accompanied by remixes from the highly acclaimed dan farserelli of fuse and lorenzo chiabotti of desolat and moscow records, making voluspo 4 highly desirable.

new london imprint fancy human present their second release by label head leigh morgan with three sublime deep house jams with a fantastic remix by man of the moment fritz wentink, here are the tracks on the release broken down

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
each whiskey disco aims to shed light on forgotten gems of yesteryear. wd42 welcomes two men who need no introduction, kon & jacques renault. both known the world over for their sleek and well-oiled productions and their contributions to the wd catalog are no exception. jacques leads the a-side with disco bass, clattering percussion and sublime vocal crescendo making way for love dance s understated edit of this noodling version of the bill withers classic. kon wraps the b-side with a long and drawn, slightly dubbed and ever-building edit of the album version of promised land.

124 recordings are back with their ninth release, a five track ep representing a broad range of house emotions.first up sees the return of tomson to 124 with the deeply sublime house survivors, where he creates a myriad of layers from the warm atmospheric pads, to the bassline and haunting vocal.

belgian producer and owner of entrepot records, uc beatz, is the next artist to appear on the san jose label, roundabout sounds. coming out on vinyl only, the la nuit ep features some sublime house, including my favourite track on the ep, alta paper, and a remix of the title track by jeremiah of grow! records out of vienna. roundabout sounds which is now up to release number 14 with this ep, is the label run by joe babylon marougi, co-founder of plug research. the label released a great various artists triple vinyl package, connecting the compass, that featured such house luminaries marcellus pittman, norm talley and theo parrish, among others.

charmin records return with their new various ep. prahmize is a deep groovin track with sublime melodic elements from tommy vicari jnr. want by quitter brings an atmospheric sunshine infused feel. night light from tilman & florian is a 90 &#769,s rave inspired deep and hypnotic groover! lastly, florians when your going finishes off the ep in fine form, showcasing his take on house music. heavy support on this release and only 150 copies makes this a sure fire winner for any record box.

as the year progresses, apollonia keeps up its steady release schedule with a delightful new ep from swiss alchemist, alci. the young producer has already made an impact with some tre cool releases with labels like robsoul, owned by paris rudeboy, phil weeks. now we have this sublime three-tracker landing on apollonia and its serious…the ep gets moving with a track called * garden of buddha* which is a perfect example of alcis ability to cook up strange sounds while keeping it groovy and dance floor-friendly. * all bun* follows with more of the same, original flavours, minimal composition, with deep, catchy rhythms and vocal clips. * traveling soul* closes things up neatly, giving us an enchanting collection of effects with a pulsating bassline that will have you gripped from the moment it appears. another step forward for alci and another diamond release from the apollonia team

masterworks music certainly know how to make an entrance, kicking off this new series, bag of tricks , with a star-studded cast. picking the best high-end sizzlers from a who s who of the nu-disco scene. highlights include the sublime slicked-out chic-style electro-disco of rayko looks like love the shiny 80s synth-soul seducer too much for me to take by dr packer and the shoulder-padded power-stomp of 80s child s bangkok nights pressed on limited white vinyl these won t be around for long so act fast!

sarrass returns with his debut album, titled dirty gear, on third ear. dirty gear is one of the deepest and most sublime pieces techno

ozone 23 is the second release to explode out of the sp23 studio bunker. ozone - 23 psi (sirius and crystal distortion) lay down a breakneck slammer bursting with whiplash breakbeats, dark gleaming basslines and a relentless, driving flow. ultra detroit - ixindamix kicks the doors off a heaving detroit warehouse with a funky roller fuelled by searing synths, hypnotic vocals and a steely edged analogue warmth. u boat - jeff 23 and crystal distortion dive deep down into the abyss with a mechanical symphony of dark menace, charged frequency and sublime tension

dropping ahead of the release of tim deluxes new studio lp the radicle, love is is the next single taken from the album, presented here in its original form as well as an additional dub version. a jazz-fueled, bluesy masterpiece with a heart wrenching vocal sublime live instrumentation and incredible production values, love is demonstrates just how far tim deluxe has come as an artist, and is indicative of the quality of the album as a whole.

2015 will prove a benchmark year for scissor and thread with the rising momentum of frank & tony and desert sound colony and now with the introduction after many months of work of their new enigmatic artist, rosas nievas, with a sublime debut ep, every inch of you. like a tip of the hat to herbert, the title track entices with easy piano licks, a cooing vocal and a lush atmospheric enveloping the floor in a warm embrace. flipping the switch, the bounce of opinions propels dancers into hands-up, chicago-style elation, while the rollicking, looping closer, hear me rain, entrances with its early morning psychedelia. completing the package is a breakaway edit from label heads, frank & tony, who transform every inch of you into a sun-drenched, euphoric deep house stormer, in a way only they can do.

iron me debuts on resopal for a grand sonic journey not only to the vibrant heart of the dancefloor. coupling contemporary 4/4 tracks with a bit unusual resopal style breakbeatish-tinged soundscapes and deep deep dub, iron me acts as both a skillfully composed portfolio of personal memories and a sublime collection of charming cuts. his unique mélange of emotional and functional elements works exceptionally well for the full-length format. each cut operates as its own little time capsule, storing bits and pieces of recollection and then magically transforming them into epic, beat-driven soundscapes. red bodden is an album for dancing wildly, relaxing, hoovering the house and losing yourself. a true musical journey.

diffuse arc return to caustica waveform and deliver four tracks of sublime synth-heavy electro! this is a superb second release for the promising spanish label, that has already shown a very strong identity through its music and artworks.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

two of house music s finest and most respected artists, kiko navarro & dj fudge, join up for a magnificent debut outing on large music. created over a period of two days in the hong kong studio of dj fudge, each track showcases sublime chords, elegant grooves and classic summer vibes. the b side cut limbo even edges into more minimalist territory while still preserving the emotive elements. as a bonus we enlist large artists purple velvet for a deep house rework of anyway i want in their trademark chunky style.

returning to hakt after his 2013 single n1, cale parks continues to chart a compelling new path with the lagoon fool ep, his second foray into solo production. as the current drummer for yeasayer and a prolific collaborator both in studio and live, cale’s creativity knows no genre. the five tracks on offer sneak from the beaten path, complicating signifiers of style, gently tweaking the standard grammar of club music, and remaining accessible all the while. assembled in his brooklyn studio, but sonically sourced from his grandparents’ tennessee farm, lagoon fool carries that sublime, somehow inviting ethos of the appalachian range. airy and tectonic at once, impeccably detailed, yet easily taken as a whole, it’s a rich, deceptively layered listen. as a skilled songwriter and a produce quickly proving his caliber, cale has composed a suite that demands multiple listens and a place at peaktime just the same

on their launch last september, australian label analogue attic promised to showcase the gentle side of electronic music down under. theyre as good as their word on this second release, which comes from rory mcpike under his rings around saturn alias. operating on a similar plane to the tactile, picturesque soundscapes of lord of the isles more spacey work, both erosion and portion 22 offer dreamy chords, becalmed melodies and sparse, spaced-out rhythms. there are a few sly winks towards vintage ambient house throughout, particularly on gypsy village, a luscious combination of liquid melodies and eyes-closed hypnotism. label bosses sean la brooy and alex albrecht go further towards vintage ambient territory on their sublime bathtime arrangement of portion 22.

for the second time in our labels history, we have a various artist ep! new-comer and good friend from greece, echonomist, delivers a warm, raw, lengthy jam from his mpc. you may have heard, simon ferdinand, from germany with previous outings on labels like nightdrive & landed. to continue the path of this groovy series, we put another hot track from simon (smell the summer coming!) to start the b-side - it is an honest pleasure to have our friend, yakine, who adds a sublime track representing pure deep and timeless music. closing this opus, we are excited to have another fresh talent from germany, having released stuff with our beloved mosaic and autoreply - vinyl digger & producer... kashawar sends his eclectic taste in music in the form of a personal, emotional gem of a track that will heat the dance-floors each and every time! gaité !

dj kozes 2013 album opus amygdala has continued to bewitch all who encounter it since its release. tipped as his own personal sgt. pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, house in its heart, and veins coursing with psychedelic color.

adapter makes his debut on desolat naples native antonio russo aka adapter joins the desolat family with a sublime four track ep entitled ‘gain. with previous outings on the likes of get physical, octopus or viva, adapter already proved to be in a rich vein of form, and here he goes one step further

here one of his big hitters let me go feat. elif biçer gets remixed by deep house legend fred p, as well as leo cubanero and deadbeat. new york s soul people boss and underground talent fred p goes rst and unsurprisingly his track is spiritual and way below the surface, with emotive female vocal coos and skipping drums all laced up in mesmerising and soulful pads. then comes leo cubanero, who has been producing on label like festplatten and nachtfrequent since 2003, and he ips the track into a liquid tech house affair with libidinous vocals and freaky synths and pads that add as spooky air to proceedings. lastly, montrealer deadbeat lays down a sublime minimal dub remix that is gooey and lazy, elastic and seductive in all the right ways, especially when the sexy vocal comes in

edinburghs powerhouse telfort quietly but firmly makes an entrance into the club, offering up a pressing of two sublime cuts showcasing a unique, signature sound and undeniable character. from the colourful and ethereal in a good place, with its fluttering and morphing flutes breezing against an ever-present warm thud, to the club-ready percussive stomper that is the weather up there, telfort etches out his own place as a producer to watch the every move of...

s1 warsaw is back! after last years sampler including crooked disco debut from matat professionals it is time to get back to artists series with warsaw-based producers full lenght ep. dial b for fun time is a perfect soundtrack to memories of 90s teenager spending all day hanging around skate spots, driving car and listening to some noisy mixtapes, watching skateboarding movies and cheesy comedy flicks on vhs tapes or bombing downtown at night. sounds and styles blended in these four tracks vary from early dj shadows sublime beats, soundstreams disco-house pumpin, bjørn torskes nordic moods to mobb deeps lo-fi hardcore hip-hop instrumentals. all served with cheeky sense of humor and dose of irony.

after two sold out 12 eps on optimo trax, boot & tax head over to mother label for the release of their debut

patrice scott proudly presents his first full length artist album: euphonium, the album. encapsulating the essence of the sistrum sound, euphonium, the album sees patrice offering up 9 tracks cut from the same cloth as his previous work for the label - sublime and evolved with depth and authenticity as only he can convey. without a doubt, it is the modern sound of deepest detroit.

the visionquest label is proud to present its next musical statement, this time from founding member ryan crosson. coming hot on the heels of a still essential ep from shaun reeves and tucillo, this one is a solo effort from ryan that features three trademark cuts of supple and sublime techno and house.

dj support: adrian sherwood, gilles peterson, ross allen, dub vendor, steve barker, keith lawrence, robert elms, david rodigan, rootikal
ramrock records are excited to present, in conjunction with reggae supremo adrian sherwood & on-u sounds, the second release on the label - to be rich is a crime by jeb loy nicols and want more by leeds based performer/producer, l.s.k. both artists cover the same riddim with beautifully crafted lyrics, achingly sweet vocal deliveries and a sublime production from lord sherwood - a stellar combination of talent on one disc!!

following *containing a thousand* and the *mountain divide* ep, their pair of sublime releases for the label, lakker now deliver their debut album *tundra*, perfectly in line with r&s’s techno heritage whilst also taking in influence and inspiration from the varied likes of no u-turn records, the choral music of arvo part, merzbow, early human league, and raw ethnic music.
pressing on white colored & splattered double vinyl, download code included.

argot is excited to welcome john barera & will martin to the label with their spectacular ep, 1.2,3 (feels right). still aglow after the warm reception to their dolly-released debut album, *grace*, the boston/nyc duo deliver a versatile record whose four house cuts burn no matter where you put the needle down. john and will flex their skills on anthemic hardware jams like the title track and *high tide*, the rhythmic whirlwind of *spin cycle*, and sublime deep house groove, *the bog*.

citizenn brilliant tied single gets the remix treatment from murk, adesse versions and denney, a superb remix package to compliment the sublime original. tied is a trip into houses classic years, raw with diva-esque vocals from aisha and new york flavour. remixes from the legendary murk and re-edit champion, adesse versions cast their own flair and finesse on the original, while hot creations latest shooting star, denney, delivers a driving classic house remix.

continuing to push that deep, raw house sound chris carrier s adult only label presents a brand new ep from slapfunk affiliate and all round funkateer, larry de kat. larry keeps the grooves rolling in his native holland, where he has close ties with the much respected slapfunk records, along with good friend anil aras. his back catalogue includes another french connection, with the young masters at lazare hoche records. this time he links up with prolific producer chris carrier to give adult only a taste of his funky medicine.
on side a we have ‘diks on gruds’, a gruff dance floor banger with a deadly bassline and ultra crisp hats, which inject a solid energy from start to finish. on the flip another french hero, phil weeks, add his stomping chicago flavour into the mix reworking the track with panache. a is ‘noodlez’, a quirky joint composed of odd sounds wriggling and whirring above a slinky bassline counterposed with choppy percussion. finally, the ep closes out with ‘um?’, a sombre affair which pumps and purrs with minimal composition – subtle effects in the arrangement bounce around the beats, while a mysterious voice creeps in and out of the background. sublime ...

more ultra rare disco-soul from the sunshine state! phillip wright only dropped 1 45 single under his own name on tk discos tiny dash label in 1976. long sought after & coveted by lovers of rare disco & modern soul *keep her happy* has never been reissued in its original 45 format, until now! often fetching around the $200 mark for a used copy this sublime slice of funk deserves to be heard by a wider audience, sadly phillip never achieved the commercial success of his sister betty but perhaps now this obscure single of his will make people hit the dancefloor in 2015! repressed, remastered & re-released in its original dinner 45 rpm format with all original dash records artwork intact in conjunction with joe stone / tk disco, miami fl.

180g vinyl - strictly limited.
to keep people guessing, the fifth instalment from australia s best selling people must jam label takes things in a house direction with andy ash at the controls. andy has put through an immense ep of varying house flavours to satisfy an all tastes. the ep kicks of with the monster disco vibed hurricane fantasy track. a beautiful summery looper that s sure to keep the floors burning hot! move is one of andy s straight up house cuts - which he is becoming well known for, a deep sounding organ line carrying the track forward with stabs and a nice little vocal sample to boot. mixing things up a little on the flip, our good friend - ron basejam has provided a sublime adriatic excursion remix of move . ron takes the track to a totally different place with uplifting piano lines and orchestral string stabs building to a lovely crescendo. this remix should be earmarked for croatia 2015. finally dommah takes the ep into almost techno territory with building pads and solid beats resulting in a monster track for when the strobelight pulses and the heads go down!

another west-end sure-shot! this sublime piece of early electronic boogie has always worn its classic badge with a relaxed sense of pride since its release in 1982, perhaps its the languid synthed out groove supplied by studio maestros nick martinelli & david todd or brenda taylors sublime vocals reminding us all that the game of love is always a 2 way street that are to blame?

limited 2015 repress, marbled pink 180gr vinyl , just 200 copies , thats it.
part four in the series sees mosaic return to its signature sound of the late 90 s : deep techno-tinged house. first up is uk house legend nail , who was in hiding in london and suffolk for a while , but is now back in his bunker in nottingham making music once again. his offering, -pharoah,- was created on boxing day 2013 especially for mosaic and contains all the hallmarks of classic nail productions of the 90s whilst maintaining a foot firmly in the present. if you like your house deep and sample heavy this cut is definitely worth checking out...on the flip we have two tracks from newcomer annie errez. annie is a resident dj at the mint club in leeds and has been developing her production skills over the last few years with appearances on holic trax , saints & sonnets as well as a very fine release on strobewax which she co-runs with fellow mint club resident bobby o donnell. if deep techno- house is your cup of tea then put the kettle on and listen to the sublime -bell curve- and the dubbed out bass monster that is auguste.- we are sure that you will agree that there is no doubt that she will be a producer to keep an eye on in the future

nebraska is someone who’s tracks we’ve been loving for a good few years now and finally managed to pin him down for a release here on delusions of grandeur. the uk producer is something of an enigma, and despite some amazing releases on rush hour still remains resolutely underground and seems to keep his releases to a minimum, focusing on keeping the quality high rather than flooding the market with average material. once again, he brings the real deal with three drum-heavy warehouse jams to nice-up the dancefloor. aw-right (mute version) sets the tone with a raw house groove that keeps things stripped to the bare minimum. a bouncing bassline and rattling percussion break help to define the track but it’s the dusty, dubby approach to the mix which really makes the track shine. next up we have warp and weft, a similar sounding track but by dropping the bpm’s nebraska has created a sublime low-slung, bumpy groove to really move to. flipping over we’re treated to the brilliant eighty eights which will have you nodding your head like the churchill’s dog before you can say ‘looped up piano and bass one bar groove repeated for over eight and a half minutes shouldn’t work should it?’

having spent three years tirelessly growing the la vie en rose label from strength to strength, championing avant-garde house music and helping launch the careers of fresh new talent, label boss terence:terry: now steps forward with a string of his own works. inspired by his blossoming collective and following his recent remix of marcos baiano on lvr015, * acid heroes* ep contains three original terry productions truly for the club.the title track enters in strong punchy form, concocting deep industrial vibes and sinister vocals that echo into the darkness, until, half way through, it takes a more upbeat turn, lifted by reverberating synth chords. * cliché* slaps a little harder with a pounding bass and clashing symbols, before warming up with female wails and woos. a short, sharp taste of chord jabs and the journey builds up to what seems like the climatic futuristic ending, before melting into softer territory and a much welcomed infectious kick, for that last lease of life. rounding off with the murky, splashing number * testing the water*, deep keys and the expert layering of techno effects equals a sublime underground house track, most certain to arouse the dancefloor. * acid heroes* is served as the perfect appetiser to get you salivating before * house couture* , the first compilation from terence:terry: on lvr, mixing producers past and present, as well as a handful of unreleased future-gems to come on the label.

fantastic compilation of sun drenched balearic beauties from the great italian singer/songwriter lucio battisti. features the sublime *ancora tu*, covered recently to great effect by roisin murphy but in no way surpassing lucios original version, followed by the superb in-demand instrumental floor-filler *il veliero*. on the flip is beautiful disco-tinged groover and big moonboots play *due mondi*, one of lucios rare duets from his highly acclaimed *anima latina* lp. also includes lexx favourite - the gorgeous *questo amore* and finally the often-edited *amarsi un po*, an absolute balearic classic with its fat bass, soaring strings, gentle guitars and sweetly emotional vocals. essential collection.

2015 repress
mark henning makes a welcome return to soma records with the sublime sunday slide. a multi faceted release that definitely has something for everyone! title track sunday slide is fantastic, deep affair. a simplistic house beat is slowly added to by well-crafted synth work that opens and flows perfectly throughout the track. on the flip, youre digging into me, is a catchy house number with a baseline that is sure to stick in your head!

the master of creations jodey kendrick comes back on weme records with a double album. he explores the ocean bank of a trip-hop drums which has merged with an hardwave grime. the descent is sublime. flawless once again for j.k. limited 300

sublime deep house tracks by nathaniel x project, you need this in your bag... tip

metro aka rheji burrell in full 1990 nyc deep house mode here with 4 tracks of sublime subway inspired grooves. a classic ep from the brothers vast catalog of releases.

iib s latest release is an ep from the clandestino crew. first track is a slo mo cosmic melodic acid dub. a beautiful early evening trip. this is remixed by the beat broker who adds a few sublime uplifting west coast sprinkles. the first track on the b side is a solid disco tinged house beauty with synth stabs subtle acid undertones claps and a great sample. the final track is beyond the sun. a mellow eastern tinged sundowner featuring another great sample. this ep really captures the original iib sound and philosophy. a real gem.

180g vinyl with printed sleeve.
federsen returns to fifth interval for another sublime instalment of dance floor friendly dub-techno. dewpoint is an altogether tighter affair when compared to the label s first release, point reyes. the drums are taut and razor-sharp, propelling the listener effortlessly through a dense fog of ferric clouds, swelling to fill the outer-reaches of the echo chamber. a highly polished metallic production style that can be compared to some of andy stott s early and classic works. tomas rubek remixes dewpoint for the b-side, remaining faithful to the original track s structure but viewing it through a tinted lens. dewpoint s chords become iridescent, kick drums fall into a straighter pattern and are backed by further dusty percussion, shifting the original into spheres inhabited by the likes of rod modell and fluxion.